Tags: reading wednesday

fluctuat nec mergitur

Reading Memes

2016

A YEAR OF MARVELS: JULY INFINITE COMIC (2016) #1, by Chuck Wendig (scenario) and Juanan Ramirez (art): This is SUPER CUTE. Mind you, I read it when it came out, so I might be forgetting stuff, but I am so there for Bucky + kids.


Star Wars: Shattered Empire, by Greg Rucka (scenario) and Marco Checchetto (art): This was enjoyable, if a bit disjointed. I enjoyed seeing Leia kicking ass on Naboo and the art is great. Shara Bey is amazing.



2017

One of the books I'm currently reading just said:
On a chanté sans fin les cloches d'Is. Il n'est poète breton qui ne les ait entendues

"The bells of [Ys] have been endlessly sung. There is no Breton poet who has not heard them."

WHY YOU GOTTA CALL ME OUT LIKE THAT, MAN
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Reading kitten!

Reading Wednesday, 2016 edition (part 1)

My wrist really hurts lately and idk why. I'm hoping it's only temporary and not linked to the back pain. Anyway, going to go easy on posting, I suppose.

And so, I'm cancelling the giant post of all the books I read in 2016 and didn't talk about. Have part of it instead.


What did you finish reading

Cixi de Troy, by Christophe Arleston (scenario) et Olivier Vatine (art): This is a spin-off from Lanfeust de Troy, telling the story of Cixi between volumes 5 and 6 of that series. Same writer as the main series, different artist. A lot happens in quite a short time! I like Cixi a lot and tbh I'd been wanting to know more about that period of time where she was exclusive mistress to omnipotent tyrant by day and DRAGON RIDING VIGILANTE fighting said tyrant by night, which this comics trilogy is at least partly about, so yay! Also, pirates. Also also it makes it canon that Cixi is bi. Way back when I reviewed Mike Carey's Lucifer, I mentionned "it feature[d] the longest roadtrip I have read for someone to get an abortion that they cannot get through other means" -- this book is the basis of comparaison for that. In both cases the fact that outside magical forces prevent these women from seeking an abortion is treated as a violation, fyi. Anyway. I quite enjoyed the friendship between Cixi and her maid, and Cixi and her dragon.


What are you currently reading

A satirical newspaper that comes out on Wednesdays. I'm reading Le Canard Enchainé, Journal satirique paraissant le mercredi, because it's Wednesday and if I'm going to buy a fucking newspaper, I'll be damned if it's a newspaper that isn't independant.


Stuff finished in 2016

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Stuff finished in 2017
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What are you reading next

In French: a book on Parisian folklore, a book of first-hand accounts of the Paris Commune (with an eye both to the general history and to writing a Rogue One AU) and a book on Brittany. Also, comics.

In English: fuck if I know, mate.

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Reading kitten!

Short-ish Reading Wednesday

Marie des dragons intégrale by  Ange (scenario) and Thierry Démarez (art): The titular dragons look more like the aliens from the Alien franchise, but this was still pretty enjoyable, even if I didn't like the ending that much. I did enjoy the slow creeping sense of something being wrong until we get the raving madmen endlessly reciting the names of kings of France and we're told by characters that those weren't kings of France. Surprise! This is an alternate universe (ish). I with the colouring wasn't so muddy.


Les aigles de Rome 4,
by Enrico Marini (art and scenario): Well, I feel towards this one pretty much exactly like I did towards book 1, 2 & 3. To wit, that I really enjoy the art, but not the story. At least this volume had more violence and less sex so felt more balanced? I'll still probably read book 5 when it hits the library, though, because I am very weak to the combination of "enemies who like each other ", Romans getting their asses kicked and pretty art.


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I have also finished my re-read of Les Quatre de Baker Street. Currently there are no coherent thoughts.


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Reading kitten!

Reading Saturday

READING

What did you finish reading

2015

Magnus Chase and the Sword of Asgard, by Rick Riordan: It's been ages since I read this, given that I read it when it came out, way back in October 2015. Anyway, I enjoyed it a lot. Sam was my favourite and I remember being pretty down with the Loki characterisation. (And now I can go buy the sequel.)

The Red Pyramid, by Rick Riordan: I read this in early 2015! I am so bad at this reading Wednesday thing lately, wow. (But now I've officially talked about everything I readin 2015. Woohoo!) I also enjoyed this, but the worldbuilding didn't work quite as well for me here as it did in the other series(es) of Riordan's I've read. Also, I did not expect as much Isis/Seth shipping fodder as I got (it's my crackship of Egyptian mythos).


Tbh my fellings about both of the above are that they're pretty much exactly what one would expect of "Rick Riordan Does Norse Myths" and "Rick Riordan Does Egyptian Myths" respectively, so for people who like that sort of thing, it is the sort of thing that they like. /is a person who likes that sort of thing, is a case in point


2016

Everything below the cut is stuff I read at various points this year and didn't talk about already. I'm going to try my best to get through the whole list before the end of the year, but if you want to hear about anything in priority, don't hesitate to ask. With the exception of The Grass King's Concubine, they're all comics.

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What are you reading now

Have made no progress on:
Contes et récits de l'histoire de Carthage by Jean Defrasne
Paris fais nous peur: 100 lieux du crime, de l'étrange et de l'irrationnel, by Claudine Hourcadette et Marc Lemonier
Warhorses by Yusef Komunyakaa
La Controverse de Valladolid by Jean-Claude Carrière

However! I have been re-reading Les Quatre de Baker Street in preparation of buying volume 7 soon (thoughts forthcoming) and I have missed these kids (+ cat) so much! There are so many great moments, but I think my favourite(s) is Charlie being the one to see through Holmes' disguise(s). At least in the first 3, which is as far as I've gotten this re-read so far. Volume 5 has my favourite panel, in which Billy and Charlie as scrambling out the window in a desperate move and run into Tom, who is just casually entering through the window. AS YOU DO.


Sophonisbe, by Pierre Corneille: CORNEILLE WROTE A PLAY ON THE SECOND PUNIC WAR AND NOBODY TOLD ME?! Anyway, I listened to the production on the France Culture website and daaaaaaaaaaamn that is one hella good play. In places I had to refer to the text on Wikisource, because I'm not great at voices. (All translations below by me.)

The play follows the broad lines of history. Before the play, Sophonisba (daughter of a General of Carthage) was going to marry Massinissa (Numidian king) and they were in love with each other. Unfortunately, Massinissa allied himself with the Romans, which lead Sophonisba to follow her head over her heart and marry Syphax, a Numidian king allied with Carthage, instead. The amount of choice she had in making this decision is something she doesn't always think of as the same. Within the play Sophonisba encourages Syphax to fight Laelius' army, allied with MAssinissa. Syphax loses, Massinissa and Sophonisba sort-of maybe get married and things degenerate.

I guess you could say it's a play about how far people are willing to go/what they're ready to sacrifice for love, power or pride.

This play gave me an even better appreciation of Sophonisbe and quite frankly everybody in it is a flawed and complex human being, but her most of all. *adopts characterisation wholesale*

I was surprisingly fond of Laelius. He starts off a lot harsher than I usually think of him, but then it becomes obvious that he's trying to be 'bad cop' (to Scipio's presumed 'good cop') and at one point he stops that and starts trying to make everyone happy, or failing that, making sure they stay alive.

Neither Hannibal nor Scipio appear in the play, but their presence is felt. Scipio's especially.

I liked that there seemed to be a fundamental cultural misunderstanding between the Romans and the Carthaginians/Numidians. The latter take it as read that Syphax' capture makes his marriage to Sophonisba null and void while the Romans are like "Married's married, what the hell?".

(Also, I ended up shipping Laelius/Massinissa and Massinissa/Scipio -- Sophonisba literally tells him "Vous aimez Lélius, vous aimez Scipion" / "You love Laelius, you love Scipio" OKAY -- and Scipio/Sophonisba -- idk, there's this whole thing about getting Scipio to marry Sophonisba himself to keep her safe and what if.)

The entire thing's in verse and there are more rhymes with Carthage than I expected! My favourite is "suffrage". But I also really love "En un mot, j’ai reçu du ciel pour mon partage / L’aversion de Rome et l’amour de Carthage." ("In one word I have received as my lot from above / From Rome dilike and from Carthage love") because oh, Sophonisba.

I was very pleasantly surprised by the amount of SICK BURNS in this play. Seriously, it is fucking savage by moments. At the end of Act 1, for example, Sophonisba has this to say to Syphax: "Je vous répondrais bien qu’après votre trépas / Ce que je deviendrai ne vous regarde pas" ("I would tell you that after your demise / What happens to me is for you to surmise"). Damn girl, find you some chill.

The line that's been stuck in my head since I listened to the play is from Laelius (to Massinissa), though. "Ce n’est qu’à leurs pareils à suivre leurs exemples ; / Et vous ferez comme eux quand vous aurez des temples". Laelius is referring to the gods with "leurs" so it translate more or less to "Only their equals can follow the gods' examples / You might do the same if you had temples". (NOBODY HAS ANY CHILL.)


I also listened to Neil Gaiman's How the Marquis Got His Coat Back, a short-ish Neverwhere sequel. It was okay. The plot twists/reveals could be seen from space, though.


I also listened to a bunch of podcasts but idk if these fit here or in the Watcing Monday posts or somewhere else or what.


What are you reading next

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Reading kitten!

Reading + Watching Wednesday

READING

What did you finish reading

2015

Sandman Overture by Neil Gaiman (scenario) and J. H. Williams III (art): Well, that is certainly a published comic book. I wanted to like this a lot more than I ended up actually liking it.

I didn't care for meeting the Endless' parents -- yeah, that's a thing now apparently. /does standard comics thing of "only canon that matters is canon I like"

The plot was pretty eh, overall, I have to say. Tbh, I always considered what happened immediately before Sandman to be best left unexplained, because any explanation was (a) not needed and (b) unlikely to live up. As it turns out, I was bright on both counts. I did like the call forward with "Hope", though.

The art is very pretty. Unfortunately, sometimes it's very pretty at the expanse of legibility.

So all in all, it's okay and made disappointing by the fact that I expected better.


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What are you reading now

Have made no progress on:
Contes et récits de l'histoire de Carthage by Jean Defrasne
Paris fais nous peur: 100 lieux du crime, de l'étrange et de l'irrationnel, by Claudine Hourcadette et Marc Lemonier
Warhorses by Yusef Komunyakaa
La Controverse de Valladolid by Jean-Claude Carrière

I can never remember/make up my mind: do I talk about US comics as they come out in floppies here or not?


What are you reading next

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WATCHING

Star Wars Rebels: S03E05:
THE LAST BATTLE OF THE CLONE WARS! Clone Trooper Captain Rex vs Super Tactical Droid Kalani, winner takes all.

SO I SHIP REX/KALANI NOW SORRY NOT SORRY the "old enemies who find common ground and respect each other" dynamic just hit me where I live, okay?

I am having ALL OF THE CLONE FEELINGS, seriously. Cody*! "Clone Order 66"! "A good soldier follows orders", Rex, noooooooooooooo!

I am so glad Rex didn't die. SO GLAD.

It may have been my monitor, or the lighting or whatever -- and I fully expect to be Jossed by the next episode -- but Sabine's hair looked blue and white to me in this ep and I'm going to headcanon it was because she dyed it that way to honour Rex (and if it's back to pink-ish newt ep, I may have to write fic about the fallout of Agamar, re: Rex).

* I cannot believe when the preview came out I thought "Oh hey they got Cody's voice actor back just for this scene, that's sweet". Self, Cody and Rex have THE SAME VOICE ACTOR.


Lucifer: S02E03, S02E04 and S02E05: I can't quite remember what happened when, so you get three for the price of one. I continue to enjoy this ridiculous show greatly. Character interactions are gold and I love how many of the characters are women (Dr Linda, Maze, Chloe, Ella, Mum, Trixie). Dr Linda was a phone sex operator, omg and then there was a bar fight. Lucifer and Dan geeking out over action movies were cute. I grow impatient about getting to see CHLOE AND MAZE ROOMATES HIJINKS. I'm kind of sad Uriel is gone already, for some reason I tend to like Uriel best in ~classic angelology~ and his power here was pretty cool. I do like that we got canon confirmation that angels can be female (Azrael/the angel of death is "she"). Faced with the lack of non-binary/ungendered angels, I'll take 'angels can be male or female, it's whatever'. Also, Tom Ellis does Righteous Fury really well.


Legends of Tomorrow: S2E02: Are we done with the Nazis yet? Like. Seriously. I know Timetravel To WW2 is a well-used trope, but are we done yet? One episode is pretty the price I agree to pay when I get into a timetravel show, twice is trying my patience. At least Sara leading the crew is now oofficial.


Class: S01E01 and S01E02: Well, that was unexpectedly violent. I thought this would be a kid's show! (I did not follow the promos at all.) And yet I was really charmed by all the characters, from super-smart Tanya to Ms Quill the freedom-fighter-turned-reluctant-teacher/bodyguard to April whose bravery comes from kindness.


Luke Cage: S1E07: No progress.


Nirvana in Fire: E06: Have made no progress.


Miraculous Ladybug: S01E02: This show gives REALLY GOOD PARIS, I have to say. To the point that, despite the fact that I was watching the English dib (my search for the Korean dub remains fruitless), I ended up thinking "Genre la meuf va au Troca pour trouver un pigeon. Genre!" ("Like the girl goes to the Trocadéro to find a pigeon. As if!") in French, which usually never happens -- I certainly didn't think in French while watching Legends of Tomorrow, even though it was nominally set in Paris this week. So ML gives great Paris, including aaaaaaaaaaaall the subtle social clues. Yikes. I think I went to school with some of those people. Adrien's social clues are unambiguous, but Marinette's are more confused. Then again, I'm only two episodes in.







DID YOU KNOW X-23 WAS GOING TO BE IN A MOVIE



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Reading kitten!

Reading Thursday

What did you finish reading

2015

Tumulte à Rome, by Odile Weulersse: SECRET TWIN MISTAKEN IDENTITY SHENANIGANDURING THE SECOND PUNIC WAR. This is relevant to many of my interests. One of the twins (the Roman one) has the world's biggest crush on Hannibal, it's sweet. To the point where other people comment on it, even. I could have done without the weird epilogue, but other than that an enjoyable read. (It was a paper book loaned to me by a friend -- who knows me so well.)

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What are you reading now

Have made no progress on:

Contes et récits de l'histoire de Carthage by Jean Defrasne
Paris fais nous peur: 100 lieux du crime, de l'étrange et de l'irrationnel, by Claudine Hourcadette et Marc Lemonier

Warhorses by Yusef Komunyakaa: Unpopular opinion time! Free/blank verse is not poetry. That said, I quite like the prose in this. "Sweetheart, was I talking war in my sleep / again?" OUCH.

La Controverse de Valladolid by Jean-Claude Carrière: This is a book about the Valladolid debate (aka "are Native Americans people? The Catholic Church debates"). It's a short-ish, somewhat fictionalised retelling of the debate. It's an interesting, yet infuriating book, because the question of what being human means is an interesting one but not in this context because OF COURSE THEY'RE PEOPLE FFS WHY IS THIS A DEBATE so it's infuriating. So far I have only read up to the end of the pro-people opening argument. I expect to be even more infuriated.

The author did in the opening raise the excellent point that the 'discovery' of the Americas was basically the same as a "first contact with aliens" situation, inasmuch as neither side knew anything about the other.


What are you reading next

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fluctuat nec mergitur

Stéphane Beauverger's Le Déchronologue

Je suis le capitaine Henri Villon et je mourrai bientôt.

Non, ne ricanez pas en lisant cette sentencieuse présentation. N’est-ce pas l’ultime privilège d’un condamné d’annoncer son trépas comme il l’entend ? C’est mon droit. Et si vous ne me l’accordez pas, alors disons que je le prends.


I am captain Henri Villon and I will die soon.

No, don't smirk when reading that pretentious opening. Isn't it the last priviledge of the condemned to proclaim their death however they wish? It is my right. And if you don't grant it to me, then let us say I'm taking it.


That's how the story starts. Or ends, rather.

Le Déchronologue is the story of Henri Villon, a pirate captain in the Carabbeans of the 17th century. The story is told in non-linear order, jumping from 1653 when those first lines in the prologue are penned to 1640 when the first chapter starts. From Villon on his futuristic timeship being blown up to Villon as pirate captain investigating maravillias is quite a jump, but it's not the story's greatest jump.

Every chapter begins by telling you when and where it's set, for example "Archipel inexploré de la Baja Mar (CIRCA 1652)" ('Unexplored archipelago of the Baja Mar (circa 1652)') a chapter which immediately follows "Désert du Yucatan (FIN DU TEMPS CONNU)" ('Yucatan Desert (END OF KNOWN TIME)').

That's right. We're travelling to THE END OF TIME. #YOLO

So that's the structure of the book. A book that jumps around in time, because it's a book about timetravellers fucking with the timeline and the tenacious pirate captain who decides to fuck back.

The entire book (excepting epilogue) is told via Villon's journal of the last 13 or so years of his life, written on the eve of the last battle (where he gets blown up in the prologue). Villon is uncompromising with his faults (or other people's), a right bastard at times, an honourable man more often, utterly devoted to his quest for knowledge about what the maravillias are and what they can do, moody, tenacious, with a sharp wit and sense of irony, stingy on backstory and, very importantly, a survivor of the Siege of La Rochelle.

Villon's not just French, he's a Protestant Huguenot -- you can imagine how much that endears him to the Catholic Spaniards chasing him.

That Villon is a survivor of the Siege of La Rochelle is one of the first thing we learn about him and it informs SIGNIFICANT parts of his characters. It may not look like it at first, but Villon is deeply self-hating, bordering at times on nihilism, and has massive issues regarding women and children. In fact, his very drive to figure out the maravilias is born of what he did/was complicit in the Siege of La Rochelle.

If you don't know what happened at the Siege of La Rochelle -- or you're like me and you learned about it in school and later you forgot -- it's eventually revealed in text what happened. It comes in the book after several ominous references to it -- Villon at one point has a very bad acid rip and hallucinates the screams of the children, that sort of thing -- and in the specific scene after he's been pushed about on both the fact that he's a Huguenot and that he researches the maravilias. This is what he has to say about it:

— Moi j’y étais, au siège de La Rochelle, au nom de la Réforme et de la foi. Et je fus de ceux qui en chassèrent les plus faibles quand la famine fut sur nous, pour gagner encore un peu de temps et préserver les assiégés en état de combattre. Je les ai vus et entendus, ces malheureux, bannis sur nos ordres, errer et agoniser chaque jour un peu plus, piégés entre nos murs et les rangs de l’armée de monsieur de Richelieu qui avait refusé de les laisser passer. Et si c’est diablerie que de promouvoir des moyens de conserver boissons et aliments des années durant sans risquer de les voir se gâter, si c’est diablerie de produire de la lumière sans flamme, de soigner l’incurable et de s’efforcer de sauver son prochain, alors Satan est mon maître et je suis son serviteur, et je compisse vos gueules de rats putrides !


"I was there, me, at the siege of La Rochelle, in the name of faith and the Reformation. And I was one of those who drove out the weakest when famine was upon us, to win a little more time and keep the assieged able to fight. I saw and I heard them, those poor souls, banished on our orders, wander and die slowly every day a little more, trapped between our walls and the ranks of Richelieu's army who refused to let them through. And if it is the devil's work to promote ways to keep drink and food for years without risking that they'll rot, if it is the devil's work to produce light without flame, to heal the incurable and try to save your neighbour, then Satan is my master and I am his servant, and I piss on your stinky rat faces!

Like, wow, okay, Villon. OKAY. I understand perfectly, but at the same time, it is hilariously enough not the only time in the book where Villon calls himself Satan's servant/footman.

So that's Villon.

The book is populated with a very varied cast, from the nigh incomprehensible Féfé de Dieppe to the Baptist, who ends literally able to walk through time. Also Brieuc. I really like Brieuc, who is probably the kindest person in the entire book -- something Villon really admires (I ship them) -- and dies for his trouble. The most prominent of the secondary characters, however, are Sévère, Mendoza and Arcadio, all of whom are both interesting in their own right and have fascinating relationships to Villon.

Sévère is not her real name. She's a timetraveller who is no longer allowed to timetravel and so has to rely on Villon. Well. She doesn't HAVE to, but she does. Villon is madly in love with her, something he realises is a great weakness -- but he saved her and as I've said above, he has massive issues about not being able to sav women -- and it's something she finds... useful, I guess. She doesn't dislike him and she's not just using him, but she is using him and they both know it. She likes him, even, by her own admission but "not like that" and Villon respects that. He can't stop himself from hoping she'll love him back, but he respects that she doesn't.

Mendoza is a Spanish corsair. You can imagine how he (Catholic, Spanish, corsairr) feels towards Villon (Protestant, French, pirate) when they first meet. It does not go well! Mendoza basically tortures him and they remain hilariously polite towards each other. The next time they meet, Mendoza helps Villon escape from jail, sort of. Then Mendoza tries to go back to Spain CROSSES HIS OWN TIMESTREAM somehow survives with his sanity sort of intact and becomes Villon second-in-command as well as the owner of the journals we're reading. (I ship it.)

Arcadio is Villon's one-time cellmate who forms an unlikely friendship with him. The most important thing about Arcadio, though, is that he's a Maya. Specifically, he's an Itza from Noj Peten. As such he has a bone to pick with the Spanish Empire and the Itza having been granted, via the vagaries of timetravel bullshit affecting the world in the story, the means to fight back against the Spanish, they fight back. They fight back with gusto, because the Spanish Empire might be the Spanish Empire, but it doesn't hold a candle to machine guns and time cannons or even something as simple as easy long-distance communications via radios. The Itza are presented as entirely justified in wanting revenge from the Spanish -- by no means are Spanish atrocities glossed over, from the first chapter we are introduced to the idea that the Spanish have resorted to human experimentation to figure out the maravilias, including deliberately exposing captives to malaria -- but as time goes on Villon starts to see that the religious zeal of the Itza reminds him far too much of La Rochelle.

There is one more thing to talk about and it's THE FLYING DUTCHMAN. Spoilers, it's not actually the Flying Dutchman, it's actually AN AIRCRAFT CARRIER. Specifically, the USS George Washington.

Because see, while all the radios and boxes of quinine and machine guns and mp3 players and history books (lol forever at Villon's reaction to learning about Mary Read and Anne Bonny) and cheap IKEA furniture is being thrown back to the 17th century for anyone to grab, sell and use, so has a mysterious vessel that pirates and corsairs of the time alike decide to call the Flying Dutchman, because it is unlike anything they have ever seen both in firepower and mode of propulsion.

In the climax/end of the book, Villon and what's left of the all the fleets, pirate or not, of the time (plus some timetravelling pirates, like François le Clerc and SIR FRANCIS DRAKE, not even kidding), all go up against the Flying Dutchman. They have a plan. It's a great plan! But in the end they're 17th and 16th century pirates and they're going up against a fucking nuclear powered aircraft carrier.

They die. They all die. Including Villon, who told us so right there at the beginning and Sévère who dies in his arms before the ship gets blown up.

But.

But Villon's ship isn't just a 17th century pirate ship, is it? It's Le Déchronologue, which has been equiped with time cannons by one of the various parties of time travellers fucking with the time stream. And so in the end, in what is for me one of the most striking images in the book, a flurry of time displaced Déchronologues appear and then disappear through a tear in time, taking the Flying Dutchman with them.

We're told of this by Mendoza, who had been told to stay behind. Having met the Americanos during their short-lived alliance with the Spanish, it was decided he'd be best able to save the city if all else failed.

I won't say I'm not sad Villon died, because I am, but I was a fitting end and could have ended no other way. He tried so hard to convince everyone, even himself, that he wasn't a hero, but he was, in the end. And he was never going to let an injustice stand or let predetermination win out over free will.


(And now I shall go re-read the book in chronological order.)

APPROPRIATE ICON IS APPROPRIATE.

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Reading kitten!

Comics read in 2015 with animals in the title + stuff what I'm watching

Prince of Cats, art and story by Ronald Wimberly: It's a comic that's both a retelling of Romeo and Juliet (by me mate Billy Shakes) in 80s -- I want to say Harlem, but it's been too long, definitely a big US city though -- and a PoV shift to the titular Prince of Cats, Tybalt. It was okay. Unfortunately, I think I was missing about 80% of the cultural cues I should have been getting, so I didn't get as much from it as I could have. The setting and PoV shifts didn't really bring anything new and instead made it predictable, because it's, you know, Romeo and Juliet. Also, the art didn't grab me.


The Unbeatable Squirrel Girl v1, by Ryan North (story) and Erica Henderson (art): That is certainly a published comic book. My issue with Squirrel Girl is that it's quite good at Squirrel Girl (and assorted peeps) but quite bad at... everything else. And even when it's not bad, it falls into "so close and yet SO FAR" for me. I especially don't like that the non-Squirrel Girl/established Marvel characters are flattened into caricatures. The Doctor Doom arc could have been SO GREAT and instead it was... that. The art is nice, though.


Spider-Gwen v1, by Jason Latour (story) and Robbi Rodriguez (art): I enjoyed this greatly! The art's not really my thing, but I like Gwen A LOT (as long time readers of this blog will know, that's A Thing with me) and the reimagination of the Marvel characters in this new universe are really interesting. FELICIA, omg (and Matt Murder-dock is a hilarious pun).


List of stuff I still have to talk about:

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I'm adding Infomocracy by Malka Older (via [personal profile] netgirl_y2k ) and Magnus Chase and the Hammer of Thor by Rick Riordan to my to-read list. But I'm not allowed to read the Riordan book until I've finished talking about the books I've already read (at least 2015), because this is ridiculous. And not until I've finished reading Le Déchronologue, because I need to finish reading it before yuletide sign-ups end and see if I still want to request it then.

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CURRENTLY WATCHING

Airing shows:

Star Wars Rebels: I was meh on the season premiere, but last week's ep gave EXCELLENT MAUL. This week's upcoming ep promises to focus on Sabine, who is my FAVOURITE and so I am looking forward to it immensely.

Lucifer: Trixie continues to be adorable, Mazikeen continues to have chemistry with everyone, Dr Linda continues to take no shit, the new girl is pretty fun so far and so's Mom. On the other hand, AMENADIEL NO.


Completed shows

Luke Cage: On episode 6 (finished 5, haven't started 6). It's okay so far, but Claire just showed up so I hope it picks up! (Also, lol at them working in the Retro Power Man look. A++ would lol again)

Nirvana in Fire: Weirdly enough I am at the exact same place in this as in Luke Cage. To wit: finished 5, haven't started 6. Am greatly enjoying this, even if I am confused by ALL THE CHARACTERS. They change costumes and/or surroundings a lot and I'm mildly faceblind, so it's not great. I can tell maybe five people apart for sure and have about three names to go around. On the other hand: Lady General/Lady Spy! I am here for this.

Miraculous Ladybug: It's cute. Superheroes in Paris! Not an all white cast, yes THANK YOU. (I cannot fucking stand Hollywood Paris -- it doesn't look like the Paris I know at all.) Have seen one episode so far. It was the English dub, I wanted the Korean one.

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